PDF Download , by Arundhati Roy
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, by Arundhati Roy
PDF Download , by Arundhati Roy
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Product details
File Size: 2634 KB
Print Length: 465 pages
Publisher: Vintage (June 6, 2017)
Publication Date: June 6, 2017
Language: English
ASIN: B01NBZXMTT
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Amazon Best Sellers Rank:
#27 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
In this anarchic novel of fragmented, symbolic narratives of India's outcasts, there is the idea of a truly great work of art for the 21st Century, an equivalent of anarchist sociologist Rebecca Solnit's vision of "A Paradise Built in Hell." There are times, especially toward the end of the book, where the narrative itself gains the immediacy and power of its ambitions. There's a taut account of violence, terrorism, and love in the insurgency in Kashmir and a poetic canvass of a community living in a Delhi graveyard, where society's outcasts build a New Jerusalem.Unfortunately, for me and apparently for a good many other readers as well, a lot of the book sags. It feels as if Arundhati Roy does not quite have her heart in it or believe her own idea, and that hollows out some of the writing. (There's even one section where one of the characters, Tilo, with more than a faint resemblance to Roy, speculates on writing a bad novel: she may have sensed that it was not going well.) If this book had arrived at a publisher's from an unknown writer, it either would not have been published or would have been massively edited. The former would have been sad; the latter might have saved it. Meanwhile, for the American reader, there is a lot of vivid and informative writing about India and much of today's world. For some, it would be more accessible in Roy's non-fiction such as "Capitalism: A Ghost Story."
I expected to love this book. I loved “God of Small Things†and several of my all-time favourite books are by Indian authors. So after approaching it full of anticipation and expectations, it pains me to say that I found it almost unreadable. Which is feel sure is more about me and my failure as a literary reader. But I did not “get†it.The book is about a disjointed trio on the margins of society, people who have no people, who come together and make a new home in a Delhi graveyard. Anjum is a hermaphrodite who considers herself a “counterfeit woman†and who longs to be a mother. Saddam Hussein hero-worships the dictator Saddam Hussein and has renamed himself in his honor. And Tilo’s great love is a Kashmiri terrorist.It’s an extremely disjointed novel, more like a collection of barely related stories that move backwards and forwards in time, which gradually weave themselves together to allow you to spot the common threads. Along the way we are introduced to dozens of characters and for almost every one we will be given their back story in detail, whether it is relevant or not. There is a lot of telling us “what happened†and not a lot of dialogue.Essentially this is a book without a plot and if you realise that going in, you’ll probably struggle less with it than I did. The writing is lovely: scenes are described in such a way that you’re there, you see what the characters are seeing. Even characters who make only a brief appearance are brought vividly to life. The instability in Kashmir and its effect on the people who live there is chillingly portrayed – when an ear infection means you could get shot because you can’t hear the instructions from the checkpoints.I finished it and I feel a sense of accomplishment for doing so, but would I recommend it? No not really.
I loved The God of Small Things, Arundhati Roy's first novel, and I fully expected to love this one, her second, that was written twenty years after the first. I was disappointed to realize that I didn't.It was not because the writing was not beautiful. Of course it was beautiful. Roy's prose is poetic and musical. It flows, one sentence leading with the inevitably of rushing water into the next.It was not because there were no sympathetic characters. Indeed, the pages are filled with so many sympathetic characters that at times it is hard to focus.Every single one of these sympathetic characters is at the center of a tragic story. There is so much unrelenting tragedy in this book that I began to feel overwhelmed and oppressed by it. And I think my main problem with the book is related to that.The overarching tragedy here that touches every character's life and becomes the theme of some of them is Kashmir. Bleeding Kashmir. That bit of territory that Pakistan and India have fought over virtually continuously since partition. The appalling atrocities suffered by all sides in the conflict - Sikhs, Muslims, Hindus - pile up unendingly.Most of the action of Roy's novel takes place after 1984, after the assassination of Indira Gandhi by her Sikh bodyguards and the resulting violence that wracked the country afterward. She tells her story primarily through the lives of two characters.The first is Anjum, born Aftab. At birth, the child was a true hermaphrodite, with both male and female sex organs. Raised by her family as a boy, she nevertheless always identified as female and when she had the opportunity to leave home, she became a part of a thriving transgender community in Delhi.The second primary character is Tilo, a former architecture student. In college, she was a part of a group of four friends who continue to be connected in later life. One of them, Musa, was her sometime lover, a Kashmiri freedom fighter. She later marries another of the friends but continues to travel to Kashmir to visit Musa, who is in constant danger and must live his life on the run.If the story had maintained the focus on these two lives, I would have found it easier to follow and to empathize with, but the introduction of so many minor characters kept leading me on unwanted detours away from the two heroines of the tale and at times - particularly in the middle of the book - I felt that there was no glue holding it all together and it threatened to fly off into its constituent parts.In describing one of her characters who kept notes, diaries, and memos, Roy wrote:"She wrote strange things down. She collected scraps of stories and inexplicable memorabilia that appeared to have no purpose. There seemed to be no pattern or theme to her interest."That would almost serve as a description of her book.The strongest part of the book for me was the ending where the writer did manage to bring her various "scraps of stories" together into a well-orchestrated and even hopeful conclusion. It was an ending worth waiting for.
This was a sluggish, aimless, and overly ambitious "novel." It seemed to strive toward social and religious commentary, myth, fairy tell, folk lore, fantasy, and novel. The writing was good. Roy knows how to write. She knows how to tell a story. She is very ambitious here. The is a structureless novel, although I would not go as far as to say it is character driven. Characters move around in the ether untethered, popping up here, there. I could not finish this novel, I got about 65% through. I started and stopped about four times, considering what this work was all about. I just could not get interested in the characters and could not gather up the story. I did my darnedest after a month, and now I am setting it aside.
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